Director: Lisa Cholodenko
Starring: Julianne Moore, Annette Bening, Mark Ruffalo
Plot: two children gain contact with their biological father;
after being a donor for their mothers. A strange relationship soon builds.
Loads of sloppy rom-coms and reinvented comedies have become
a regular fix in Hollywood and they
should never be praised at all. However, a film has finally arrived which
reinvents comedy; and its depiction of family life, deserves every award it
gets. Julianne Moore (Jules) and Annette Bening (Nic) play a couple who, after
their children find their biological father, have a rollercoaster of a
relationship; something with incredibly funny, heart-warming highs and
devastatingly low lows. The two are on-screen gold and their acting is
incredibly solid throughout, particularly Julianne Moore who endures all sorts
of personal problems throughout the film yet still captures moments of pure
comical genius perfectly.
The couple’s children played by Josh Hutcherson (Laser) and
Mia Wasikowska (Joni) are also a funny duo onscreen. Joni’s boyfriend troubles
and Laser’s idiotic best friend are both storylines pushed to the side; however
these stories add to the typical family life depicted and makes it feel that
little bit more real because of it. Both Hutcherson (Peeta in the Hunger Games)
and Wasikowska (Alice in Alice in
Wonderland, 2010) again play out solid roles as they are humiliated and
humoured by their out-of-the-ordinary family. Mark Ruffalo (now known for
smashing up buildings in The Avengers as Hulk) is perhaps the weakest of all
the characters. This may be because his character is the least interesting of
them all but nevertheless he is still a presence the film needed and a suitable
type of actor to play the awkward biological father who doesn’t know what he is
doing.
Lisa Cholodenko, the director, proves throughout the film
that a laugh-a-minute and consistent inappropriate humour aren’t needed to make
a film funny. Instead, character development and a real depiction of family
life makes this film all the more relatable in its nature.
In Conclusion: perhaps the best Dramedy
(drama/comedy) to be released in a long time, The Kids Are All Right is an
uplifting, powerful film showing how family life can crumble and rebuild itself
when it wants to and shows the highs and lows perfectly. It’s funny, sad,
awkward and heart-warming but most of all, the director here proves that more
female directors are needed today and this film is the best to showcase it.
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