Cinema: Prometheus 6/10
Director: Ridley Scott
Starring: Noomi Rapace, Logan
Marshall-Green, Michael Fassbender, Charlize Theron
Plot: a journey to a dark corner of the universe occurs to
discover the origins of mankind and soon after, to save it. A prequel to the
well loved Alien films.
Having missed the hype of all the Alien films, Prometheus
didn’t seem to be something that would interest me, but I was wrong. Despite the
mixed reviews from critics; some loving the film and some catastrophically
hating it, Prometheus is one heck of a summer blockbuster that should be
praised.
Visually, the film is top-notch. The wide shots of the new,
uncovered planets will leave you in awe, and do perfectly well in the 2D format
(3D, though I saw it in 2D, doesn’t seem necessary here). You can see why
Ridley Scott is described as a ‘visual director’, especially during scenes of
action. The action in the film, though rare, is applied to the story only when
necessary. It plays its biggest part in the final third of the film where
numerous scenes of escapes and chases will leave you on the edge-of-your-seat,
wanting to see the events unfold as quickly as possible.
The acting in the film is also superb; Noomi Rapace and
Charlize Theron are the two female leads that shine, whilst Michael Fassbender
plays the immortal robot-like character to perfection.
The side that lets the film down is the storyline; fans of
Alien have been anticipating this instalment for years and it doesn’t seem as
if much time was spent on writing a quality story. It seems like a typical
science fiction/horror situation which tries to overcomplicate itself with historical
facts, that only make you think that there is more to the story than there
actually is.
In Conclusion: Prometheus is visually dazzling and
full of very memorable scenes (Rapace has probably the most memorable scene
which involves stomach churning surgery). The film should also be praised for
pushing the boundaries with which a summer blockbuster wouldn’t usually do; the
film doesn’t consist of quick cuts, meaning that you see the gore and you see
the destruction without thinking you haven’t seen enough. If only the story
were a little better and less predictable.
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